Study a Verse

• Śrīla Śrīdhara Svāmī explains that according to the analogy of lightning flashing in clouds, the perspiration on the lovely faces of the gopīs resembled drops of mist, and their singing resembled thunder.
• Thus sometimes Kṛṣṇa and the gopīs would artistically move their interlocked arms together, and sometimes they would separate arms and exhibit mudrās to act out the meaning of the songs they were singing.
• The word pāda-nyāsaiḥ indicates that the gopīs artistically and gracefully placed the steps of their dancing feet in an enchanting way, and the words sa-smitair bhrū-vilāsair indicate that the romantic movements of their eyebrows, smiling with love, were most charming to behold.

The purport's own sentences, chosen from the purport as its central points. Read the full purport on Vedabase to see them in place.

Separation → Transcendental intimacy. The peak of longing reveals the intensity of selfless love.

Chapters 29–33 of Canto 10: The gopīs' yearning, reunion and rasa. An editorial reading of the story's mood, not the text itself. See the emotional arc

Chapter 33: The Rāsa Dance

From the chapter summary, the lines nearest this verse:

The gopīs became intoxicated with their enthusiasm to enjoy the rāsa dance, and thus they began satisfying Kṛṣṇa’s senses by singing, dancing and gesturing amorously. The sweet voices of the gopīs filled all the directions.