Canto 12: The Age of Deterioration
SB12.1

Canto 12 · Chapter 1 · 41 verses · 1 story

The Degraded Dynasties of Kali-yuga

Śukadeva Gosvāmī predicts future royal dynasties and their degradation under the influence of Kali-yuga.

Read on Vedabase

From Canto 10, chapter 14 onward, the translation and purports were completed by Śrīla Prabhupāda's disciples after his departure, and published by the Bhaktivedanta Book Trust.

Connected storiesViduraLord ParaśurāmaThe Avantī brāhmaṇaDhṛtarāṣṭra leaves home
Who is speakingSūta Gosvāmī → the sages at NaimiṣāraṇyaŚukadeva Gosvāmī → King ParīkṣitEvery voice in this chapter ›

What this chapter speaks about · the ten subjects

Chapter summary

The Twelfth Canto of Śrīmad-Bhāgavatam begins with Śrīla Śukadeva Gosvāmī predicting the kings of the earth who will appear in the future during the Age of Kali. Then he gives a description of the numerous faults of the age, after which the presiding goddess of the earth sarcastically berates the foolish members of the kingly order who perpetually try to conquer her. Next Śukadeva Gosvāmī explains the four varieties of material annihilation, and then he gives his final advice to Mahārāja Parīkṣit. Thereafter King Parīkṣit is bitten by the snake-bird Takṣaka and leaves this world. Sūta Gosvāmī concludes his narration of Śrīmad-Bhāgavatam to the sages at Naimiṣāraṇya forest by enumerating the teachers of the various branches of the Vedas and Purāṇas, relating the pious history of Mārkaṇḍeya Ṛṣi, glorifying the Supreme Lord in His universal form and in His expansion as the sun-god, summarizing the topics discussed in this literature, and offering final benedictions and prayers.

The First Chapter of this canto briefly describes the future kings of the dynasty of Magadha and how they become degraded because of the influence of the Age of Kali. There were twenty kings who ruled in the family of Pūru, in the dynasty of the sun-god, counting from Uparicara Vasu to Purañjaya. After Purañjaya, the lineage of this dynasty will become corrupted. Following Purañjaya there will be five kings known as the Pradyotanas, who are then followed by the Śiśunāgas, the Mauryas, the Śuṅgas, the Kāṇvas, thirty kings of the Andhra nation, seven Ābhīras, ten Gardabhīs, sixteen Kaṅkas, eight Yavanas, fourteen Turuṣkas, ten Guruṇḍas, eleven Maulas, five Kilakilā monarchs and thirteen Bāhlikas. After this, different regions will be ruled over at the same time by seven Andhra kings, seven Kauśalas, the kings of Vidūra, and the Niṣadhas. Then the power of rulership in the countries of Magadha and so forth will fall to kings who are no better than śūdras and mlecchas and are totally absorbed in irreligion.

In this chapter

Who · Śukadeva Gosvāmī, Parīkṣit, Purañjaya, Śunaka, Pradyota

The story · Śukadeva Gosvāmī tells Parīkṣit about the kings who will rule during Kali-yuga. He predicts that Purañjaya’s minister Śunaka will assassinate the king and place his own son, Pradyota, on the throne. He then traces the succession of royal families and describes their growing degradation. In several provinces, brāhmaṇas will forget their regulative principles, and the royal order will become no better than śūdras.

What it teaches · Under the influence of Kali-yuga, rulers and religious teachers abandon their proper principles. Royal succession alone does not preserve religious conduct.

Beyond this chapter

Connected stories across the Bhāgavatam

Stories told in other chapters that this chapter's verses or Śrīla Prabhupāda's purports bring in, the other Bhāgavatam verses the purports quote, and stories in other cantos with the same themes. Each link shows the sentence it comes from.

What it teaches · Vidura’s travels show a life directed toward pleasing the Lord rather than preserving household comfort. Holy places and temples reminded him of the Supreme Personality of Godhead, Lord Kṛṣṇa.

The Kilakilās will be followed by their thirteen sons, the Bāhlikas, and after them King Puṣpamitra, his son Durmitra, seven Andhras, seven Kauśalas and also kings of the Vidūra and Niṣadha provinces will separately rule in different parts of the world.

The famous epic Mahābhārata also describes the events of this period, focusing upon the five Pāṇḍava brothers and their activities in relation with Lord Kṛṣṇa and other leading historical figures, such as Bhīṣma, Dhṛtarāṣṭra, Droṇācārya and Vidura.

Śrīla Prabhupāda's purport · SB 12.1.1-2 (Texts 1-2)
Read the story in SB 3.1

What it teaches · Jamadagni stresses tolerance and atonement. The account also describes how pride and sinful conduct among rulers brought destruction upon them.

That lord of Mahāpadma, King Nanda, will rule over the entire earth just like a second Paraśurāma, and no one will challenge his authority.

Therefore he is here compared to Lord Paraśurāma, who annihilated the kṣatriya class twenty-one times in a previous age.

Śrīla Prabhupāda's purport · SB 12.1.9 (Text 9)
Read the story in SB 9.15–16

What it teaches · Freedom from possessiveness supports peace and tolerance. The brāhmaṇa’s song directs attention to the mind rather than blaming others for one’s distress.

At that time the brāhmaṇas of such provinces as Śaurāṣṭra, Avantī, Ābhīra, Śūra, Arbuda and Mālava will forget all their regulative principles, and the members of the royal order in these places will become no better than śūdras.

Read the story in SB 11.23

Dhṛtarāṣṭra leaves home

SB 1.13 · Dhṛtarāṣṭra leaves home

What it teaches · No one in the material world can prevent the approach of time and the decline of the body. Understanding this calls one away from bodily attachment toward spiritual realization.

The famous epic Mahābhārata also describes the events of this period, focusing upon the five Pāṇḍava brothers and their activities in relation with Lord Kṛṣṇa and other leading historical figures, such as Bhīṣma, Dhṛtarāṣṭra, Droṇācārya and Vidura.

Śrīla Prabhupāda's purport · SB 12.1.1-2 (Texts 1-2)
Read the story in SB 1.13

Same themes in another canto

Both chapters carry these themes strongly in the themes map, an editorial reading of each chapter's story.