Canto 8: Withdrawal of the Cosmic Creations
SB8.4

Canto 8 · Chapter 4 · 26 verses · 1 story

Gajendra Returns to the Spiritual World

The Lord delivers Gajendra and the crocodile; their previous births are explained.

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Connected storiesDakṣaDhruva Mahārāja
Who is speakingSūta Gosvāmī → the sages at NaimiṣāraṇyaŚukadeva Gosvāmī → King ParīkṣitEvery voice in this chapter ›

What this chapter speaks about · the ten subjects

Chapter summary

This Fourth Chapter describes the previous birth of Gajendra and the crocodile. It tells how the crocodile became a Gandharva and how Gajendra became an associate of the Supreme Personality of Godhead.

There was a king on the Gandharva planet whose name was Hūhū. Once this King Hūhū was enjoying with women in the water, and while enjoying he pulled the leg of Devala Ṛṣi, who was also taking a bath in the water. Upon this, the sage became very angry and immediately cursed him to become a crocodile. King Hūhū was very sorry when cursed in that way, and he begged pardon from the sage, who in compassion gave him the benediction that he would be freed when Gajendra was delivered by the Personality of Godhead. Thus the crocodile was delivered when killed by Nārāyaṇa.

When Gajendra, by the mercy of the Lord, became one of the Lord’s associates in Vaikuṇṭha, he got four hands. This achievement is called sārūpya-mukti, or the liberation of receiving a spiritual body exactly like that of Nārāyaṇa. Gajendra, in his previous birth, had been a great devotee of Lord Viṣṇu. His name was Indradyumna, and he was the King of the Tāmila country. Following the Vedic principles, this King retired from family life and constructed a small cottage in the Malayācala Hills, where he always worshiped the Supreme Personality of Godhead in silence. Agastya Ṛṣi, along with many disciples, once approached King Indradyumna’s āśrama, but because the King was meditating on the Supreme Personality of Godhead, he could not receive Agastya Ṛṣi properly. Thus the ṛṣi became very angry and cursed the King to become a dull elephant. In accordance with this curse, the King was born as an elephant, and he forgot all about his previous activities in devotional service. Nonetheless, in his birth as an elephant, when he was dangerously attacked by the crocodile, he remembered his past life in devotional service and remembered a prayer he had learned in that life. Because of this prayer, he again received the mercy of the Lord. Thus he was immediately delivered, and he became one of the Lord’s four-handed associates.

Śukadeva Gosvāmī ends this chapter by describing the good fortune of the elephant. Śukadeva Gosvāmī says that by hearing the narration of Gajendra’s deliverance, one can also get the opportunity to be delivered. Śukadeva Gosvāmī vividly describes this, and thus the chapter ends.

In this chapter

Who · Gajendra, the crocodile Hūhū, the Supreme Personality of Godhead

The story · While Gajendra enjoyed bathing with his female elephants in a lake near Trikūṭa Mountain, a powerful crocodile seized his leg. Their struggle continued for one thousand years, and Gajendra gradually lost strength while the crocodile grew stronger. By Kṛṣṇa’s grace, Gajendra remembered a prayer learned in his former life as King Indradyumna and took shelter of the Supreme Lord. The Lord delivered Gajendra, who received a four-handed spiritual form and became His associate in Vaikuṇṭha. The crocodile, formerly King Hūhū, was also delivered and regained his Gandharva form.

What it teaches · The Supreme Personality of Godhead is realized through pure devotional service. Gajendra’s deliverance shows the Lord’s wonderful power and the shelter He gives His devotee.

Beyond this chapter

Connected stories across the Bhāgavatam

Stories told in other chapters that this chapter's verses or Śrīla Prabhupāda's purports bring in, the other Bhāgavatam verses the purports quote, and stories in other cantos with the same themes. Each link shows the sentence it comes from.

Same themes in another canto

Both chapters carry these themes strongly in the themes map, an editorial reading of each chapter's story.